(Fonte: after-hours-zine, via baronvonmerkens)
Jean Seberg
(via baronvonmerkens)
Amanda Jones wearing L’ecole des Femmes 2012 by me.
「パンドラ の 匣」 - 川上未映子
Nastassja Kinski in Faraway, So Close! // In weiter Ferne, so nah! (Wim Wenders - 1993)
(Fonte: mabellonghetti)
The Front, French lobby card. French theatrical release 1977
Submitted by videorecord
(via iznogoodgood)
On the set of Raging Bull (1980). From a collection of photos by Brian Hamill @ everyday_i_show.
(via iznogoodgood)
Inventory #93: How to Make Books by Esther K. Smith
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REGARDING INSTRUCTION
“Be relentless. All over the world, people are working harder than you.” —Sarah Manguso
Balzac drove himself relentlessly as a writer, motivated by enormous literary ambition as well as a never-ending string of creditors and endless cups of coffee; as Herbert J. Hunt has written, he engaged in “orgies of work punctuated by orgies of relaxation and pleasure.” When Balzac was working, his writing schedule was brutal: He ate a light dinner at 6:00 p.m., then went to bed. At 1:00 a.m. he rose and sat down at his writing table for a seven-hour stretch of work. At 8:00 a.m. he allowed himself a ninety-minute nap; then, from 9:30 to 4:00, he resumed work, drinking cup after cup of black coffee. (According to one estimate, he drank as many as fifty cups a day.) At 4:00 p.m. Balzac took a walk, had a bath, and received visitors until 6:00, when the cycle started all over again. “The days melt in my hands like ice in the sun,” he wrote in 1830. “I’m not living, I’m wearing myself out in a horrible fashion—but whether I die of work or something else, it’s all the same.
